Another piece of the puzzle unfolded in this week’s episode, finding out what happened to Heather back at the time of the fire that claimed the lives of a lot of the parents.
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Another piece of the puzzle unfolded in this week’s episode, finding out what happened to Heather back at the time of the fire that claimed the lives of a lot of the parents.
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This show has a habit of torturing people. So far this year it’s been Caroline, Stefan, and me.
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It is important for me to tell you that, while I love horror movies, I am also a big fat chicken. Back when I wore glasses, I would watch over their rim. After Lasik, well, I resort to covering my eyes, peeking through splayed fingers.
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Earlier this summer, the fabulous Mary Higgins, her husband, and her children embarked on the kind of epic project that puts quality time in the annals of awesome: they wrote, produced, and filmed a zombie period piece as a webseries. Here, Mary talks about the concept for the series, the challenges of working with loved ones, and the advantages of removing everyone’s heads while filming.
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Why is Stephen Lang acting like a sci-fi mashup frontier sheriff in a Syfy Original Movie? Why is he always holding his legs so far apart? His accent as Commander Taylor sounds like Rick Perry on a semi-lucid day. STOP IT!
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What I want to talk about this week were five scenes, five simple but sophisticated scenes that took me to a place that I’d not been to in a long, long time.
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I know it’s a TV show, but their possible budget restrictions shouldn’t prevent them from still doing some really good spell stuff.
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I’m still holding out for some sort of awesome team up between Olivia and Fauxlivia. They better be wielding magic swords, too.
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I am digging the fact that Stefan is no longer angsty and filled self-loathing over all the things he’s done in his horrible past. Instead, we get to see how awesomely murderous he was and just how much Klaus/Nick admires him.
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I’m not anti baby. I’m anti the Shannons’ “unsustainable humanity isn’t our problem” mentality that led to Zoe’s conception in the first place. Preventing overpopulation is a team effort, y’all.
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Anna’s death was a bit of pop-culture jiujitsu on the part of the writers. You can’t even make the woman in a refrigerator argument without being ableist.
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If I wanted this much Christian mythology shoved down my throat, I would have gone to the local bible thumping Christian cult church and sat in on their “How to Spot the Mark of the Beast” seminar, which included free kool-aid, free parking, and prizes for the kids!
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Olivia vs. Fauxlivia: I am ready for it. I liked their confrontation at the end, how cold and tough Olivia presented herself, and how Fauxlivia just laughed it off, like: “I’m you. You don’t scare me.”
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I also love that for all her villainy makings, Faye is still a teen. For all her bravado, she is still only 16 and at least she acts it. I definitely appreciate that, as I can’t stand the oversexualization in so many other shows
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Today I’m focusing on the overly mature teenage girl and her love for a mass murdering vampire(s). What is Elena’s appeal to all things fanged? She’s like catnip for vampires. She’s vampire nip.
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I love that Alphas functions entirely within the realm of logic. It’s kind of like a Sherlock Holmes story that way. With a Holmes mystery, everything is there for the reader to put together. Any very observant person with a sharp mind can solve the mystery. It’s just that most of us aren’t as observant [...]
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It’s pretty typical for me to shove down my daily frustration and press on, to the point that when something even remotely sad happens on TV, I immediately become a sobbing mass of humanity on the couch, trying to hug a cat that wriggles away, leaving me to clutch an old throw pillow.
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Way back when, Stefan was known as the Ripper. I’m hoping he eats Elena while he’s evil because that’s what vampires should do.
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