Editor’s note: I know Sylvia left big shoes to fill, so we’ll be presenting multiple SPN columns penned by multiple writers for the foreseeable future.
Let’s meet Julia Santo!
In the end, “Out With the Old” is a holding pattern. In the previous episode, Sam opened up the door to Lucifer and we still have the vague impending doom of Dick Roman looming over our heads. A shoe will drop, but this is not the episode for it. This is the break, the build up, the wait for Mischa Collins to return. Just kidding. (Kind of.)
The episode opens on a dancer coming into a studio. She makes a snarky comment to other dancers who are leaving and laces up for practice. She dances for a moment, and then it becomes apparent that she has lost control. Her eyes widen, her feet quicken and then a quick cut to a janitor noticing a splatter of blood on the window in the door. He walks into the studio to find the dancer, sans feet, with an amount of blood around her that can only be described as Tarantino-esque.
Enter Dean, going over what they know about Dick Roman with Frank, who has little in the way of helpful information. They know that the coordinates Bobby worked so hard to get them are an archaeological dig, and that Dick is funding similar projects around the world. Sam approaches, and in case you forgot Lucifer is now his special full-time brain buddy. He complains about that for a minute, and then, not even having the energy to marvel about Dean’s complete lack of culture (Dean saw a movie for hot chicks! Quelle surprise!) points out a possible case in Portland (our dancer friend from before.)
We are now inside the Portland Police Station, where it is apparently bring your daughter directly from ballet to work day. The officer cataloguing the evidence has his dancer daughter there with the cursed shoes in plain sight. She is told once to leave them alone, and then goes to the bathroom where they have conveniently appeared. This was another one of the several great horror moments in the episode, I was practically yelling at the screen for her not to put the shoes on. She does put them on (of course) but the Winchesters are quick and get in to rip the shoes off her feet. We get to see Dean get kicked in the face a couple of times in the struggle, so that’s a good time.
Dean and Sam go to the antique store where the shoes were purchased, “Out With the Old.” Once Sam and Dean get into the store, they find out the owner has been selling his late mother’s possessions, some of which were kept in curse boxes. In the course of their investigation, several ballet jokes are made, which I’m sure would be hilarious if I understood any of the references. In any case, this is where we really start to see how Sam’s struggle with his visions of Lucifer is affecting him. He hasn’t slept in days, and he has very little patience with the store owner. The boys set off to track down the other cursed objects.
A tea kettle is the first item they try to lock down. We see the new owner in her kitchen, and dear lord is there anything more terrifying than watching someone chop produce? I thought for sure she was going to cut her fingers off. And the little bit of mystery, trying to figure out what the object was before she ended up pouring scalding water down her throat was a fun touch. Needless to say the Winchesters were too late to save this one, and so they set off to recover a gramaphone and an old issue of Playboy. We don’t watch Dean recover the porn from Mr. Yankit (I mean, seriously.) but we do get to see Sam snap at a scared kid, which is just further proof of his deteriorating mental state.
(Sidebar: is this really supposed to be Portland? Where’s the gauged ears, the etsybought clothing, WHERE IS CARRIE BROWNSTEIN?)
With the cursed objects under control, Dean learns that the store-owner’s mom had sold the store she “spent her whole life trying to keep” the day before she was killed in a car accident. Suspicious Dean is suspicious. It occurs to me at this point in the episode that while Sam is basically out of commission, Dean looks positively cerebral in comparison.
In the meantime, local real estate agent Joyce is trying to convince a local store owner to sell to her, but he is not biting. She has been buying up the whole town, and he is the last holdout. In response, she kills him, signs for him and orders her assistant George to dispense with the body. It turns out these real estate agents are Leviathans, working on direct orders from mister Dick Roman himself. Intrigue.
Dean is enjoying a coffee while he relays his suspicions about the town to Sam, who is on his way to haul the cursed objects out of the antique store. Sam is worse than ever, can barely concentrate on what Dean is saying, and eventually is distracted from the phone call by almost dying in a head on accident. PSA: Don’t drive when you are hallucinating Lucifer. Sam stops for coffee to wake himself up, and George sees him there. He calls Joyce and they create an eat-the-Winchesters-plan.
Cut to Dean eye-fcuking a pie. We can assume he has been doing this since he got off the phone with Sam, because, well, despite my comment about his intelligence above, it’s still Dean. Sam shows up at the cafe, and Dean has figured out with Frank that the real-estate agents buying the town (Joyce and George) are connected to Dick Roman. Sam has trouble reacting to this, because Lucifer is singing Zeppelin in his ear (could be worse dude, could be Asia.) They get a call from the store owner to help him with another cursed object, but the call is a ruse orchestrated by Joyce to get them there for dinner.
The ensuing fight ends up in the Winchester’s favor, with George aiding in the decapitation of Joyce. They try to interrogate George about what Dick is trying to do, but he just tries to vague-ominous-reference them to death. Sam isn’t having it, and so he eventually reveals that they will be building a disease research facility here to cure human plights like cancer because, “we’re just here to help.” If the leviathan turn out to be lizards, we might have a problem.
Dean and Sam drive out to Frank’s to run down their new information. Sam tries to catch some sleep, and Dean claims that soft rock will knock him right out. What we get, though, is Credence, and we know that “Bad Moon Rising” means nothing good in WinchesterWorld. They arrive to find that Frank has been killed and his trailer has been tossed.
The weirdness-of-the-week part of the show was nice and scary, just how I like it. As far as moving the Leviathan/Dick Roman plot forward, the episode fell a little flat. Instead of giving us actual information that the boys could act upon, things just get scarier and crappier for Dean and Sam. But that’s Supernatural.
By far the best part of the episode was the characterization of Sam. I have the benefit of doing this review after having seen subsequent episodes, and so knowing how Sam will break in “The Born-Again Identity,” the constant fatigue and anxiety he displays throughout the episode tees that storyline up perfectly.















Welcome Julia!
I thought this was a fun (well, as much as people dying in gory ways left and right can be fun) episode. I liked the idea of a Hunter who basically spent her life trying to keep supernatural items under wraps. I would have thought her son might have an idea of what was going on, since Hunting seems to be a family affair, but maybe she tried and he wasn’t interested.
Although I enjoyed the characters, I didn’t quite buy the whole George turning on the boss just because she was a bitch and ordered him around. It might have worked if he didn’t know who the Winchesters were, but he did know so it was kind of dumb for him to expect they’d just let him go. Maybe he was suicidal too? I could have bought a more “heat of the moment” sort of thing, but it was obviously pre-plotted.
Poor Sam was definitely going downhill fast in this episode, and Dean was showing concern. Interaction between the brothers is always good in my book!
And yeah. I wonder how many gasps or screams came out of viewers’ throats when “Bad Moon Rising” came over the radio. I know there was a very loud gasp and a ‘that can’t be good’ in my house. CCR is NEVER a good thing in the Winchester world.
Good episode. Not the best of the season, but a good case story with some touches from the overall season arch.
I totally agree about the Leviathan assistant’s quick turnaround. The whole real estate thing felt a little contrived, but I also think that’s partially frustration about not knowing what the eff is going on with Dick Roman.
And yay horror/monster of the week! My favorite part of any episode.
I think you’re right. The very disappointing conclusion to Sam’s arc ended up being Castiel’s big episode, like the Man Who Knew Too Much . So yes, the preceding episodes were just a preparation for his return. But sorry, that’s next episode.
Yup. Though I was going to be excited for that episode either way, so…:)
Welcome to the party Julia! I too thought this was a solid effort. I did like the way that due attention was paid to Sam’s crumbling hell wall, and the part with him falling asleep at the wheel was just about the most frightening part of the episode IMO.
It’s interesting your take(s) on George and the Leviathan. I didn’t see his helping the Winchesters as a turn around on his part, as a matter of fact, I think that he was scrambling to cover his ass with them as much as he did with his boss. I don’t believe him for a second; and the Leviathan have proven that they are nothing if not self interested and power hungry, even to the point of turning on their own kind. I think George was tap dancing as fast as his little feet could go. I hope that we see him again in a later episode to help round out the tidbit we got here. Also, we never did see what happened with George did we? I mean, his head could be in that trailer along with Joyce’s right? Do we know for sure that the Winchesters let him go?
Anyway. I am glad to see this site continue. I am sure most of you have heard by now that Sera Gamble is stepping down as show runner and none other than Jeremy Carver (Mystery Spot, Changing Channels, etc..) will be taking her place for the still unannounced season 8. I made a comment on the previous review in the hopes that a few people might see it. I know many of you try very hard to remain spoiler free, but felt that this is the kind of information that might interest some of you, especially those of you unhappy with the past two seasons. I think that this is very good news, and have high hopes that Mr. Carver, writer of some of the best and most effective episodes can rejuvenate the show.
Yeah, I don’t think we saw what happened to George, I’d have to watch again to be sure.
And that’s interesting about Jeremy Carver taking over! I can’t help but compare it to Moffat (don’t know if there are any Whovians in the house) who wrote fan-favorite episodes and then ended up as show runner for Doctor Who (to mixed results, depending on who you ask.)
And thanks for the welcome, everybody!