By Lisa Fary
I can control BSG by drinking.
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By Teresa Jusino
If you go to comic conventions, you get used to seeing a lot of strange things: strange costumes, weird drawings, odd conversations about aliens or superpowers or the minutiae of cult television shows. You get so used to seeing the strange that the strange becomes normal. Half-naked anime chicks? Been there, done that. Zombies? Yeah, about 500 of them.
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In the final part of the discussion of the impact of vampire literature and lore on society, the panelists talk about racism in vampire literature, the apocalypse, and the prospects of getting Will Smith involved in a Vampire Huntress Legend movie.
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In part two of the Twelve Tribes Summit panel discussion on vampire literature and lore, the panelists talk about vampires in comics and in the church, and diversity in vampire literature.
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By Lisa Fary
Ben Linus and Noah Bennet should hang out. They can share tips on how to more effectively be duplicitous bastards.
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I wonder if Tricia Helfer is prepared to answer questions about Battlestar Galactica for the rest of her life. This week, Pink Raygun was on a conference call with Helfer in promotion of her appearance on USA’s Burn Notice, but the first question was about BSG.
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By Sabrina Boyer
I can’t even tell you how great a metaphor it is to have a government official like a mayor turn into a huge overpowering demon who looks, admittedly, like a giant penis. This is what makes this show just so damn awesome. Legend…wait for it…dary.
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As part of the Twelve Tribes Summit in Philadelphia, author L.A. Banks took part in a panel discussing the impact of vampire literature and lore on society today and the evolving persona of the vampire in popular culture. Naturally, Pink Raygun was there, MicroMemo in hand to record the event.
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By TrinityVixen
The Rebel Alliance spends the entire episode waiting on Matt Parkman to fish answers out of Noah Bennet’s head. The End.
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by Teresa Jusino
When I saw The Wendigo last week, one of the things that interested me was the fact that someone would choose to adapt such an old school horror story for the stage. I decided to speak with the playwright, Eric Sanders, and we discussed older horror vs. modern-day horror, his favorites in the genre, and The Neverending Story.
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By Lisa Fary
I hoped Matt and Mo would kiss. It would have been a totally appropriate cap to the fountain of emotion that exploded all over that purple motel room.
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By Melissa Voelker
Last week I got excited because I finally saw a terminator acting like a terminator. Catherine Weaver marched into that warehouse and slaughtered people left and right without a moment’s hesitation. It didn’t matter that they were mother’s or father’s or someone’s kid. She cut them down with her awesome liquid cyborg sword arms and then burnt down the building around the bodies. As sad as it was, I couldn’t help feeling like it was about dang time.
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By Teresa Jusino
I’m about to tell you all something very important, so I hope you’re paying attention…
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by Sonia Aurora
Most pilots are a good jumping off point for shows but oftentimes are made long before the show gets picked up. Ideas change, original cast members get replaced, and things get re-shot and the pilot is rarely the most accurate representation of the show, more like a good composite springboard. The best a show creator can hope for is that the pilot is strong enough to allow to develop further the vision they have, and the best stories have at least a season’s worth of vision, that shapes and evolves over time.
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By Jenn Kim
“Charles Carmichael always comes quickly.”
What can I say, I’m a sucker for cheap sex puns, particularly at the expense of our endearingly flawed hero.
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By Teresa Jusino
Once upon a time, it didn’t take a lot to shock us. Once upon a time, horror existed in the imagination and not on the screen. Storytellers had to work hard to evoke frightening imagery subtly, and trusted that our imaginations would fill in the blanks with our own worst fears, personalizing the horror experience.
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